Feeney, Gitt, and Jones all talk about first seeing the film and their reactions to it, along with how its reputation has grown over time since its initial cold reception.  - As Tears Go By, World of Wong Kar Wai Criterion then includes a booklet with two essays, one by Terrence Rafferty on the film, and another Michael Sragow on writer James Agee, covering the script for the film and his work as a whole. Powell and Cooper engage in a hymn-off; we can see Cooper's shadow in the foreground of the dimly lit house and Powell's profile outside her front window. Powell. To either read or join in on our discussions visit our forums. The blacks are deep and rich, off-set by the wonderful contrasts captured by Cortez on … . In each DVDBeaver review, there are links to books related to the film. While it looks like a noir, I would describe it as a film in the Southern Gothic tradition, a cautionary fairy tale about the dangers of false prophets. For years, Gitt's film was only accessible via the occasional presentation at UCLA and it is difficult to overestimate how excellent this feature is. Sure, Roger Ebert wrote Beyond the Valley of the Dolls (1970) and Peter Bogdanovich (The Last Picture Show) came close to the becoming the American equivalent of François Truffaut, but our national legacy of criticism turned into cinematic practice has been short. Still a great inclusion nonetheless. 5.0 out of 5 starsTHE NIGHT OF THE HUNTER [1955] [The Criterion Collection Special Edition] [Blu-ray] Reviewed in the United States on March 15, 2015. Stars Robert Mitchum, Shelley Winters, Lillian Gish. Narrated in French, the actual interview is in English (with burned in French subtitles) and features Cortez talking about the craft, the camera, and then some of the directors he’s worked with (which includes Orson Welles, Samuel Fuller, Fritz Lang, and, of course, Charles Laughton.) Yet, to my displeasure, the DVD transfer is full-screen, undercutting the film's beautiful example of expressionism taken to its limits. While all of the supplements listed previously would have been decent enough in the terms of material, Criterion includes a second dual-layer Blu-ray disc dedicated to one feature running 159-minutes, simply called Charles Laughton Directs “The Night of the Hunter”. Credit can no doubt be given to both, but Agee's contribution pushed me to contemplate a path not taken: unlike the French, who had the critics and filmmakers of the New Wave movement, America never really encountered critics making the transition to filmmaking. While researching the aspect ratio of Charles Laughton's The Night of the Hunter (1955) on DVDBeaver.com, I noticed something rather telling in the review. Also included on the second disc is a brief conversation between Gitt and critic Leonard Maltin regarding the origins of the outtakes and Gitt's work on the project. Later, when Powell discovers that his newlywed wife Willa has no idea what happened to the money and that she is growing suspicious of his motives, he murders her. Wow. Verified Purchase. It's also a damn fine thriller with an irredeemable movie monster too often overlooked by populist polls. The Night of the Hunter—incredibly, the only film the great actor Charles Laughton ever directed—is truly a stand-alone masterwork. Despite the fact the other supplements found on this set cover the film extensively, making the track a little redundant in areas, it’s still a swift and breezy track that I rather enjoyed.  - Chungking Express, World of Wong Kar Wai In this regard it has been cleaned up wonderfully. Despite my adoration for The Night of the Hunter I wasn’t looking all that forward to seeing it as it felt like overkill. Shop The Night of the Hunter [Criterion Collection] [2 Discs] [Blu-ray] [1955] at Best Buy. The Night of the Hunter is a 1955 American thriller film directed by Charles Laughton, and starring Robert Mitchum, Shelley Winters, and Lillian Gish.The screenplay by James Agee was based on the 1953 novel of the same title by Davis Grubb.The plot focuses on a corrupt minister-turned-serial killer who attempts to charm an unsuspecting widow and steal $10,000 hidden by her executed husband. IMDb, the world's most popular and authoritative source for movie, TV and celebrity content. As the story (adapted from Davis Grubb's novel by film critic and Pulitzer Prize-winning novelist James Agee and Laughton) lacks unnecessary clutter, Laughton is able to focus on aesthetically underlining the fairy-tale aspect of the plot (I wonder how many times Tim Burton has watched this film?). Take, for instance, three of my favorite sequences in the film. Sanders is fielded a few questions about the production but since he did second-unit stuff primarily he can really only confirm or deny a few things, though does have his own anecdotes and stories to share. Both the UCLA Film and Television Archive (for their restoration) and Criterion (for the sharp transfer) really knocked it out for this; it looks far better than I ever could have hoped for. Both are short but excellent reads. It originally ran 8 hours but was cut down to a more manageable 159-minutes for public consumption. The second disc of the Blu-Ray set contains archivist Robert Gitt's assemblage of two and a half hours of outtakes and behind the scenes footage entitled Charles Laughton Directs "The Night of the Hunter". The scene perfectly sums up the entire message of the film.  - Fallen Angels, World of Wong Kar Wai ← Those who have seen MGM's disc of The Night of the Hunter will find a surprise in The Criterion Collection's treatment, which has been stricken from the original 35mm negative on a Scanity film scanner at 2K resolution -- supervised by the UCLA Film & Television Archive -- for a 1080p AVC image. If Gitt's epic presentation of outtakes wasn't enough to scratch your Night of the Hunter itch, the set also includes a commentary (with Gitt, second-unit director Terry Sanders, critic F.X. Heaven & Hell to Play With: The Filming of 'The Night of the Hunter' by Preston Neal Jones. Night of the Hunter, The (Blu-ray Review) 29 Nov, 2010 By: Mike Clark. There’s plenty of other treats found in here, including Mitchum’s scream in the river, his alternate take to his later “whooping” scene, and seeing scenes with unfinished effects, among other things. - Order by … On death row, Harper accidentally discloses information regarding the money to his cellmate, Powell. The image remains consistently sharp throughout and there isn’t a moment where I noticed it go significantly soft. The Night of the Hunter was judged a culturally significant film as hailed by the Library of Congress and now sits protected in a vault somewhere, a piece of living history.  - Days of Being Wild, [Filmmakers] / Sat Apr 17, 2021 12:20:52 PM, [Indicator Blu-rays] / Sat Apr 17, 2021 12:05:01 PM, [International DVD and Blu-ray News and Discussions] / Sat Apr 17, 2021 11:58:16 AM, [The Criterion Collection] / Sat Apr 17, 2021 11:02:54 AM, [The Criterion Collection] / Sat Apr 17, 2021 10:19:54 AM, [General Film Discussion] / Sat Apr 17, 2021 10:08:27 AM, [General Film Discussion] / Sat Apr 17, 2021 09:09:31 AM, [Indicator Blu-rays] / Sat Apr 17, 2021 08:48:40 AM, [General Film Discussion] / Sat Apr 17, 2021 08:38:40 AM, [The Criterion Collection] / Sat Apr 17, 2021 07:58:59 AM, [Boutique Labels] / Sat Apr 17, 2021 06:02:12 AM, [General Film Discussion] / Sat Apr 17, 2021 05:53:47 AM, Arrow Announcements, Speculation & Wild, Irresponsible Conjecture, [Arrow Rumors and News] / Sat Apr 17, 2021 04:34:03 AM, Promising Young Woman (Emerald Fennell, 2020), [The Criterion Collection] / Sat Apr 17, 2021 03:10:00 AM, World of Wong Kar Wai Cooper swiftly extinguishes the candle, only to find that Powell has gone and made his way into the house. A company often known for providing milestones of film history with thick special editions, Criterion recently disappointed me with their thinner-than-average treatment of Stanley Kubrick's Paths of Glory (1957), our first review in this series. A perfect presentation. The Night of the Hunter (Blu-ray + DVD) - Blu-ray (1955) for $42.90 from OLDIES.com Drama The wedding night, the anticipation, the kiss, the knife, BUT ABOVE ALL...THE SUSPENSE! Bravo, Criterion! The final sequence I'd like to mention visually echoes this.  - Fallen Angels, World of Wong Kar Wai I never thought we’d get a new presentation after MGM abandoned their rumoured special edition (I assume because of their financial “troubles”) but Criterion stepped in and I couldn’t be more thrilled with what we get. The blacks are deep and rich, off-set by the wonderful contrasts captured by Cortez on what was then a new type of black and white film stock, Tri-X. The print also presents little damage, just a few minor blemishes. Directed by Charles Laughton. There’s more on Griffith’s influence and then again more criticism against United Artist’s marketing department. ), begins when Ben Harper (Peter Graves) arrives home after a performing a double murder during a robbery gone awry. ), I expect it to rank highly in my year end poll. It presents plenty of outtakes and behind-the-scenes footage, but in the cleverest of ways. THE NIGHT OF THE HUNTER [1955] [The Criterion Collection Special Edition] [Blu-ray] Towering Above All Others . Fortunately, despite my absurdly high hopes for this set,Criterion does not disappoint. Welcome to CriterionForum.org, one of the premier destinations on the web to discuss DVD releases from The Criterion Collection, Masters of Cinema, and other DVD production companies from around the world. With Robert Mitchum, Shelley Winters, Lillian Gish, James Gleason. World of Wong Kar Wai Laughton supposedly hated Agee's script, which was rumored to have been near 300 pages. Criterion next includes a 14-minute episode of Moving Pictures from 1995 covering the making of The Night of the Hunter, featuring interviews with Gregory, cinematographer Stanley Cortez, art director Hilyard Brown, along with others involved with the production, including cast members Shelley Winters and Robert Mitchum, and then archival footage of Lillian Gish. You also get to see Laughton’s respect for his actors, best shown when one actress apologizes for messing up earlier on one of her lines, to which Laughton replies that it’s “alright, dear, it doesn’t matter.” You also get to see the perfectionism in Laughton’s direction, which Gitt points out in the numerous takes of Winters’ delivery of the line “the children know where it’s hid.”. It was put together by archivist Robert Gitt from a huge pile of footage that Laughton had kept for years. But it’s Criterion’s inclusion of Gitt’s Charles Laughton Directs… that seals the deal on this set. The documentary covers the production fairly extensively from the publishing of the book on which it’s based to Laughton wanting to direct to its initial release.  - In the Mood for Love, World of Wong Kar Wai  - Chungking Express, World of Wong Kar Wai I’m thankful Criterion stepped in to pick up the slack, finally giving the film the release it deserves. I’m thankful Criterion stepped in to pick up the slack, finally giving the film the release it deserves. Yet, research by scholars Simon Callow and Jeffrey Couchman have redeemed Agee's screenplay. The Night of the Hunter. It's a chilling scene, from both standpoints of watching a suspenseful film and a film that critiques religious zealotry (notice the foregrounding of the blazing torches at the revival meetings). So one of the early segments would be Mitchum’s Powell driving down a country road talking to God, and here Gitt presents many takes of the scene, including Mitchum’s flubs and chuckles after delivering his lines (Mitchum apparently had trouble with the scene, finding it a little goofy, though that’s sort of the beauty of it) and then we move on to the burlesque scene, his court scene, and so on, presenting the film in order but using these alternate takes, angles or finished segments. The Night of the Hunter. In fact, one could easily re-read the film's expressionist qualities as owing more to the Southern Gothic aesthetic of the grotesque than noir. Review Date December 16th, 2010 by M. Enois Duarte. Yet, Night of the Hunter does not concern itself with two key noir themes: the film does not care to solicit our alignment with the antagonist and it favors unwavering religious piety over existential angst. The Night of the Hunter You can buy this latest Criterion Collection release just to see the movie looking better than it ever has before. This is a great set and, despite my critical blind spots this year (including the Blu-Ray releases of the Alien films, Apocalypse Now, Back to the Future, and the Avatar special edition---I can only re-purchase some of these films so many times! Drew Morton is a Ph.D. student in Cinema and Media Studies at the University of California-Los Angeles. In the car, we find Rev. The Trailer to the Sequel to Everyone's Least Favorite Pixar Movie | "Cars" Trailer Indeed, ‘The Night of the Hunter’ looks totally spectacular on Blu-ray, and the supplemental features Criterion have provided are simply outstanding. Overview - The Night of the Hunter—incredibly, the only film the great actor Charles Laughton ever directed—is truly a standalone masterwork. I was thrilled with it, though, and if you were to only view one feature on here this would be it. They also give some background and history to the production, and also enjoy pointing out shots possibly influenced by D.W. Griffith, whose films Laughton and screenwriter James Agee watched religiously around the time of the production. Laughton's fairy tale, in the traditional sense of the concept (not the Disney version! Marshall (Henry Cavill) is a hunky cop who split from his wife because, in the tradition of many film detectives before him, he simply cares too damn much about catching psychos. A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real daddy hid the $10,000 he'd stolen in a robbery. This video is unavailable. Fans of The Night of the Hunter have been eagerly awaiting a proper presentation of the film on home video, since the previous MGM DVD was incorrectly transferred in a 1.33:1 open-matte aspect ratio (to be fair, so was Criterion's laser disc from the late 1980s). That's reason enough. Feeney, and author Preston Neal Jones), a new documentary with interviews with many of the aforementioned personnel, archival footage from The Ed Sullivan Show and other sources (including a short documentary from the mid-1990s). Part fairy tale and part bogeyman thriller -- a juicy allegory of evil, greed and innocence, told with an eerie visual poetry. Closing. The self-appointed preacher, Harry Powell, roams the countryside along the Ohio River looking for single women so that he can marry them, steal their money, and kill them. The high-def digital transfer presents a very film-like image, presenting fine object details not noticeable before in the sets, landscapes, and even clothing. Well, the day for Night has finally come and instead of a MGM re-release, the film gets the Criterion treatment, complete with a 1.66:1 presentation of UCLA's 2001 restoration. The cutting deliberately throws the sequence out of whack, placing the viewer in a state of suspense as we come to realize that this is not a world where free will seems to exist, as Willa has already become visually coupled with the demonic Powell before actually meeting him. Its jarring blend of Southern Gothic mania, silent film technique and expressionistic effects is unlike that of any movie made before or since. Again it repeats some material but it’s a great inclusion, especially for the fact we get interviews with Mitchum and Winters. Once the children seek refuge with Cooper, Powell begins to stalk her front door in the moonlight. He can come off egotistical (despite him saying he’s trying not to) but it’s a very engaging interview. The most compelling feature in the Criterion Collection package is an amazing two-and-a-half-hour "film diary" of the making of The Night of the Hunter, culled from hundreds of hours of random footage shot during filming, and then stashed for years in the home of Laughton's widow, actress Elsa Lanchester. Music can get a little harsh, along with Mitchum’s screams and cries that occur during the film, but in all it’s very stable, offering about as perfect a presentation one could hope for. As the dialogue progresses, Laughton intercuts with foreboding images of a black train car, bellowing smoke, no doubt carrying the good Rev. Reviewed by Glenn Erickson The Night of the Hunter, the only film directed by Charles Laughton, still takes audiences by surprise. The film begins with a shot of the faces of children, superimposed over a twilight sky, over which Rachel Cooper (Lillian Gish) reads: Following this shot, Laughton cuts to children finding a dead body during a game of hide and seek. Price Match Guarantee. The plot of the film is fairly simple, which suits the material perfectly. I had heard of this though my understanding was it was a documentary with a lot of outtakes from the film. The following shot begins with a car driving up a riverside road, an ominous musical score thunders over the cut. The 18-minute interview has Gitt talk about how he came across Laughton’s footage from the film and the 20 year process of restoring the actual film and putting together the Charles Laughton Directs… feature. Now, there has been much debate over who is "responsible" for the final product of the film. You'll also find in-depth discussions on world cinema. A horror movie with qualities of a Grimm fairy tale, it stars a sublimely sinister Robert Mitchum as a traveling preacher named Harry Powell (he of the tattooed knuckles), whose nefarious motives for marrying a fragile widow, played by Shelley Winters, are uncovered by her terrified young children. Many “great movies” are by great directors, but Laughton directed only this one film, which was a critical and commercial failure long overshadowed by his acting career. The legacy of The Night of the Hunter is kept alive by four characteristics: Cortez's cinematography, Mitchum's chilling performance as the reverend who has "L-O-V-E" and "H-A-T-E" tattooed on his fingers, as the only film to be directed by acclaimed British actor Charles Laughton (Mutiny on the Bounty, Witness for the Prosecution), and as one of the screenplays written by film critic James Agee to make it to the big screen (the other notable one being The African Queen). Most modern audiences have only seen Charles Laughton's film in the open-matted 4:3 framing, yet … In the 1970s, film archivist Robert Gitt and many others tackled the laborious challenge of screening and … The transfer is presented in 1080p/24hz. The second moment occurs shortly after, when Powell arrives at the Harper household. He gives a bit of a history on Laughton and the path he took from acting to directing the film, and goes over some of the themes brought up in the film, such as the hypocrisy of religion and sexual repression, both of which were themes he was interested in since he felt forced to hide his homosexuality. Sounds less like a film noir and more similar to a short story by Southern Gothic writer Flannery O'Connor, does it not? Graced by images of eerie beauty and a sneaky sense of humor, this ethereal, expressionistic American classic—also featuring the contributions of actress Lillian Gish and writer James Agee—is cinema’s most eccentric rendering of the battle between good and evil. This is a true American classic, folks, which has received the type of treatment it so rightfully deserves. And yet we get more. For the review of Night of the Hunter, DVDBeaver supplied a list of film noir book titles including Alain Silver's appropriately titled Film Noir, which features Hunter's antagonist Rev. Here they are presented with notes and comparisons to the actual scenes that appeared in the film. In the aftermath, the children flee by boat down the river towards the sanctuary of Rachel Cooper's farm. Though there is plenty repeated here from before, there’s a bit more about James Agee’s behemoth script (which Mitchum clearly recalls.) Though I’d hate to make a generalizing statement, this is probably the most impressive collection of supplements I’ve seen from Criterion (or anyone) in a long while. After all, the film leaves the easily led townsfolk as a maniacal lynch mob, depicted almost as horrifically as Rev. I was pleasantly surprised by what we get here, which is an incredibly clean presentation, with crisp, sharp dialogue, and some surprising range and volume. That is what the rest of the film is about: how a town is easily seduced by Powell's words while a widow's children remain dubious.  - Happy Together, World of Wong Kar Wai Rent. Charles Laughton's "The Night of the Hunter” (1955) is one of the greatest of all American films, but has never received the attention it deserves because of its lack of the proper trappings. The next feature, entitled The Ed Sullivan Show in the menu, is very cool inclusion. →, Matt LeBlanc Wants to Show You His Enormous C**k | And We Will Use It to Make Love to His New Show, The Trailer to the Sequel to Everyone's Least Favorite Pixar Movie | "Cars" Trailer. The Night of the Hunter (1955)—the first film directed by Charles Laughton and also, sadly, the last—is among the greatest horror movies ever made, and perhaps, of that select company, the most irreducibly American in spirit. Attention! Re-watching the film, I couldn't help but wonder what classified it as noir (for my classical noir retrospective, click here). This Blu-ray edition presents a lossless linear PCM mono track. The Criterion Collection has had a spectacular year in the world of Blu-ray and their two-disc set for “The Night of the Hunter” stands as one of the best. It's a genuine classic. Easy contender for Blu-ray of the year. The disc then closes with the same theatrical trailer that appeared on the MGM DVD, further showing that United Artists had no idea how to market the film. Bibliography. In my original review of the film, I wrote the following: "When I was researching the DVD aspect ratio of the film on DVDBeaver.com, I was saddened to discover that my worst fear was confirmed: Laughton and cinematographer Stanley Cortez (who also lensed The Magnificent Ambersons and The Naked Kiss) had originally shot the film widescreen. . Still, Criterion’s Blu-ray is a welcome upgrade and manages to improve upon that transfer in every way. The Supplemental Features He talks about Laughton and how unfamiliar he is as an actor to the general audience (which I was surprised to hear since I had been familiar with him since being a young’un) but his only directorial effort is more familiar to people. Search. THE NIGHT OF THE HUNTER [1955] [The Criterion Collection Special Edition] [Blu-ray] Towering Above All Others . The interview focuses on The Night of the Hunter and the use of light in the film, with Cortez even sharing some of his thoughts on light. Criterion recorded an 11-minute interview with Simon Callow on Laughton and The Night of the Hunter (he’s mentioned briefly in the making-of for comments he made about Mitchum’s performance.) Occurs when Willa is told that it 's impossible to raise children.! After a performing a double murder during a robbery gone awry giving the film leaves the easily townsfolk... 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